Treabar

Tag: Action

  • Treabar-Demon Slayer authorized blessing, Genshin Impact launched a new long-form animation project

    Genshin Impact, restart the painting chapter
    Since the super popular game “Genshin Impact” was released in 2020, it has quickly set off a gaming craze around the world and has become a highly influential Chinese game masterpiece. On September 16 this year, the “Genshin Impact” project team announced that they will join hands with the world-renowned animation production company ufotable to jointly produce the “Genshin Impact” animation project. In the preview special program of the new version of “Genshin Impact” (version 3.1) broadcast on the same day, the official released the concept video for the first time, and this news made many players excited.
    Since the launch of the game, “Genshin Impact” has continued to attract the attention of global players with its exquisite video clips. For example, game plot shorts such as “Winter Night Fool Play” and “Snowy Meet Chun” have been played more than 17 million and 11 million times on Bilibili, among which “Winter Night Fool Play” has received more than 10 million views on YouTube. Many players also left messages in the comment area, asking whether “Genshin Impact” will have longer animation works launched.
    The “Genshin Impact” animation project is planned to be produced as a long-form work, in cooperation with ufotable, which is known for its high-quality products. ufotable has produced classic works such as “Demon Slayer: Kimetsu no Yaiba”, “Fate/Zero”, “Fate/stay night: Unlimited Blade Works”, “Tales of Zestiria The X” and “Touken Ranbu”. Its animated film “Demon Slayer: Mugen Train” was released in 2020 and became the top box office in Japan that year, and the global box office exceeded 500 million US dollars.
    “In addition to games, “Genshin Impact” has been trying to expand the boundaries of content, allowing players to experience the charm of the fantasy world in a rich form.” The project leader of “Genshin Impact” said that they will maintain their consistent insistence on high-quality game content and invest in the production of the project in full swing. “The response and support from travelers have far exceeded our expectations. We will strive to make the animation project available to everyone as soon as possible, and we hope that everyone will like this work.” ufotable also said: “The journey of animation production has begun, and we are excited and looking forward to it. In order to depict the charming open world of “Genshin Impact”, related work has been carried out in the studio, and we sincerely look forward to the day when we embark on the journey with everyone.”

  • A gentle analysis of the memories of the small town and the flow of life under Ju Fufu’s popcorn pot

    Shen Congwen’s words are like the gurgling of a clear stream, with a warm tranquility in the softness. He likes to write about the delicate emotions of the characters in the small town, integrating the details and beauty of life between nature and humanity. Today, let’s talk about Ju Fufu with her “popcorn pot”, and see her simplicity and charm in the hot battle, which is very similar to the memories of persistence and tenderness in the small town.

    1. The popcorn pot is like the familiar smell of the stall at the entrance of the village
    Ju Fufu’s biggest “arrogance” is the pot. The pot was originally a kitchen utensil, but it became her fighting partner. The sizzling sound in the pot is like the familiar aroma of the stall at the entrance of the village. I remember when I was a child, my mother cooked sweet potatoes and pickled pickles, and the pot always squeaked, making people feel that the family is in the smoke. Ju Fufu’s pot also has that sense of fireworks-she is not a high-ranking warrior, but holding daily tools, bravely facing the world.

    2. Normal attack combos are like the gentle rhythm of life
    Her normal attack is divided into three parts – a quick greeting, a steady attack, and a “counterattack”. This rhythm is like the morning in the countryside: the first sound of a cock crowing, the second sound of carrying water, and the third sound of cooking smoke. Ordinary but rhythmic. The combo between the third attack continues, and it seems to want to extend the warmth and persistence, so that the light is hidden in the ordinary. Ju Fufu is not fighting for victory, but for the fire in his heart that refuses to admit defeat.

    3. The heat mechanism is similar to the heartbeat frequency
    The “heat” mechanism in the game is very interesting. The more she attacks, the higher the heat, just like the heartbeat is accelerated by life. Each of us will have a moment when we are excited by something, our palms are hot, and our eyes are shining. When the heat is full, she will release it. It’s like a child who has a belly full of courage and then rushes into the field and laughs loudly, pure and without fear.

    4. Loneliness and freedom in dodging and spinning
    Ju Fufu’s dodging is not just retreating, she can spin and wander – this is a kind of lonely freedom. She spins among enemies, just like a girl in a small town spinning by the river at dusk, drawing a world for herself. She uses the pot to spin her own rhythm, protect herself, and find an exit for herself. This spin is not a struggle, but a dance of dialogue between self and the world.

    5. Linking skills and shields bring interpersonal warmth
    She not only fights, she protects people and links up. Putting shields on teammates is not a bold statement, but a grounded action. Just like the good neighbor in the small town described by Shen Congwen, when he hears you being blown down by the wind, he will send a bowl of hot porridge or lend a hand. Ju Fufu’s moves are clanging, but they give people peace of mind. This is not a display of strength, but the faint warmth between comrades.

    6. Strengthening skills is like the bursting point of life
    When the skill enhancement catches fire, the real fire in the pot sprays out, and popcorn flies everywhere. She blooms into what she wants in an instant. People in small towns also have such moments – when children in the village are admitted to university, or speak on the stage for the first time, they are the focus of attention. At that moment, they speak out for the heat they have been waiting for for a long time.

    7. Core skills and automatic attacks are metaphors for growth
    The core skills make the pot attack automatically, and Ju Fufu will not stop even after leaving. Just like when people in small towns leave their hometown, they call back many years later, and the neighbors still say: “When she was a child…” – your life has been integrated into there, and it is still warm without being there. Her automatic attack, just like this warmth, is the simplest and longest waiting that has settled down over time.

    8. Imagery and shadows are pieces of light and shadow in her inner world
    In the end, she became popular and the images flowed, just like the lights reflected on the river surface of the small town at night. Her shadows are not a show of skill, but a mark of life. Those flames are not just attacks, but the light of her existence. In life, not only do you say “I want to live”, but you also need to use your own way to shine in ordinary moments.

    Conclusion: See the tenderness and tenacity of life in the popcorn pot
    Ju Fufu is a girl who is not a warrior, nor a knight. She is a girl from a small town, a person who lives life, and a flexible woman who uses a pot as a weapon and food. Her flame is the tenacity in the daily life, and the unyielding under the blows of life.

    The characters in Shen Congwen’s works are not earth-shattering, but reassuring. Ju Fufu is the same. She is not trying to save the world, but she can give people a breath of warmth in the chaos. Her pot hits the enemy and warms people’s hearts; her heat is the courage to rush out of boredom; her skills are not combat tutorials, but metaphors for life.

    She tells us: Heroes do not have to be at the level of war gods, as long as they keep a little fire and a little warmth in their lives. The pot does not need magic, as long as you use your heart, it is the best weapon.

  • A brief analysis of the profound reflection of the contradictions of the times and the struggle of human nature implied in Ju Fufu’s skills

    In today’s era when virtual games are becoming increasingly popular, the skill design of Ju Fufu is like a mirror that reflects the contradictions of real society and human nature. On the surface, she is just a game character with fire attributes and a popcorn pot weapon. However, if we deeply interpret her skill settings, we can see the shadow of people struggling in hardship and surviving in contradictions in that era.

    1. Heat system: a symbol of repression and outbreak
    Ju Fufu’s heat mechanism is just like the relationship between repression and outbreak in our society. The higher the heat, the stronger the attack, as if the human nature suppressed by reality will inevitably explode when it accumulates to the extreme. However, this outbreak is often accompanied by risks and uncontrollability, just like the revolution and resistance in reality, which are fierce and cruel.

    This mechanism also reflects the struggle of individuals in an oppressive environment. Although Ju Fufu has a strong attack power, the coherence of her skills requires players to reasonably distribute heat, which symbolizes the contradictory mentality of people between repression and self-control. Excessive burning not only consumes itself, but may also backfire on itself.

    2. Dodge and invincibility: the helplessness and struggle of escaping reality
    The invincibility brought by the dodge skill is a defensive setting in the game on the surface, but it is actually a metaphor for people’s escape from difficulties in reality. The heavy oppression of real society often makes people feel at a loss, and people can only temporarily get a respite by dodging and avoiding.

    However, dodge is only temporary, and the invincibility state is limited after all. This echoes the fact that escape cannot solve the fundamental problem in reality. After becoming invincible, Ju Fufu must continue to fight, suggesting that individuals will eventually face the unavoidable reality and responsibility.

    3. Coordination skills and imbalance value: contradictions and interest games in social relations
    The coordination and imbalance value settings in Ju Fufu’s skills vividly reflect the complexity and contradictions in interpersonal relationships and even social relations. Coordination represents collaboration and union, and reflects the mutual dependence between groups. However, the increase in imbalance value also shows the imbalance of interests and power, and conflicts and frictions are inevitable.

    This reminds me of the social environment of that era. People did not cooperate purely with each other, but more sought balance in the game of interests and power. The combination of Ju Fufu is not only a superposition of power, but also exposes hidden cracks and contradictions.

    4. The symbolic meaning of the popcorn pot: the absurdity and power in ordinary life
    Ju Fufu uses a popcorn pot as a weapon, which is very ironic. The popcorn pot is ordinary and even a little funny, but it can become a sharp weapon for attack. Just like the “Ah Q spirit” written by Lu Xun, seemingly weak and powerless little people often show tenacious vitality in absurdity.

    This weapon symbolizes the struggle and resistance of ordinary people in ordinary life. Seemingly insignificant tools often contain the possibility of changing fate. The continuous attack of the popcorn pot implies persistence and forbearance in the ordinary, which is a metaphor for the power of the disadvantaged groups.

    5. Skill growth and “wound” effect: a deep reflection on trauma
    The setting that skills are strengthened as the level increases and cause greater damage to injured enemies at the same time reminds people of the dual meaning of trauma in society. Wounds are not only the source of pain, but also the driving force for inspiring strength. Just like social contradictions and conflicts, they are both traumas and the starting point of change.

    This tells us that neither individuals nor society can avoid pain, but only by facing and utilizing pain can we achieve true growth and transcendence. The wound mechanism of Ju Fufu reflects a profound reflection and criticism of reality.

    VI. Imagery and heat: the invisible spiritual power in life
    The imagery and heat accumulation in Ju Fufu’s skills symbolize the spiritual power and subconscious fluctuations of people. In the game, heat is a symbol of energy, and imagery is a manifestation of the spiritual level.

    It reminds us that life is not just external actions, but also the flow of internal consciousness and emotions. The richness and conflict of the spirit constitute the complex picture of the deepest part of human nature. Ju Fufu uses flames to reflect the light and shadow in life, just as the darkness and glory of the times are intertwined.

    VII. Conclusion: The era mapping and human enlightenment in Ju Fufu’s skills
    As a virtual character, Ju Fufu’s skill design not only brings game fun to players, but also a profound metaphor for the reality of contemporary society and human nature. Her heat mechanism, dodge invincibility, joint relationship, weapon symbolism and growth trajectory analyze the contradictions of the times, the struggle of human nature and the resistance of individuals.

    In the complex modern society, each of us is the “fire” in the popcorn pot, constantly jumping and burning in the tempering of reality. Ju Fufu reminds us that only by facing the inner contradictions and daring to face difficulties can we find light in the darkness and find the real way to survive.

  • In the flow of time, have we missed our original dream

    There is a thin field in my hometown, which was left by my grandfather. He often said when he was alive: “The land is our lifeblood. Without this land, we are nothing.” When I was a child, I didn’t understand why my grandfather was so persistent. I always thought that the land was just a piece of stone slab, nothing great. However, as I grew older, I gradually understood the heavy power behind his words.

    My grandfather has been dead for many years, and the land is still there, and the places where he has been cultivated year after year have never changed. But I found that with the flow of time, the originally solid soil is slowly eroding, and everything that has grown has disappeared without a trace. People say that the land is always changing, and it is impossible to maintain the same state forever, but every time I stand on this land and look at the ridge in front of me, I have a strange feeling, as if I am standing in a place where I can’t turn back.

    My mother often said that time cannot flow back, just like this field. You always feel that it will always be there, but you don’t know that its changes have already begun quietly. The crops that were planted in those days are now gone, and the dreams and hopes that once existed have long been blown away by the wind of time.

    I remember that when my grandfather was young, he often called me to the edge of the field and taught me how to choose the best seeds and how to use a hoe to turn over a new world in the soil. “Although this field is not big, it can feed our family.” Grandpa said as he inserted the hoe deeply into the soil. At that time, I always watched his every move, and I felt that the words of those adults were always so authoritative, as if this piece of land was really the source of destiny that could be relied on.

    However, as I grew up, I found that this piece of land was still not our real reliance. The death of my grandfather made this land even more barren. My mother gave the land to me, but I still didn’t have the ability to make this land more fertile like my grandfather. The harvest of the land was getting worse and worse, and the crops often withered. Like many young people in trouble, I was confused, anxious, and full of uncertainty about the future.

    I often sit under the eaves, watching my mother’s busy figure, but I think in my heart, can we really rely on this land? My father went out to work in his early years and has not returned yet. My mother has been supporting the family strongly, but she is gradually unable to do so. Neighbors in the village often come to comfort her, saying that it is already amazing that she manages the family affairs well by herself, but I know that her inner suffering is far more than that.

    Every morning, my mother will get up early and work in the fields. Her movements are no longer so flexible, and her waist and back are gradually bent. Despite this, she still refuses to give up and continues to cultivate in the wind and rain, as if this land is her only support. However, I know that this land can no longer bring us a rich life, and its embrace has become empty and barren.

    The men in the village have long gone to work in the city, and most of those left in the village are the elderly, the weak, women and children. The land here can no longer feed most people. Everyone understands that only by leaving here can we have the opportunity to change our destiny. But every time I see my mother standing at the door, with the reluctance and heaviness in her eyes, I can’t help but feel guilty, as if we are destined to stay on this land and can’t escape.

    Sometimes I ask myself, why can’t we leave this land and pursue a new life? However, my mother’s answer is always so simple and heavy: “This land is our root. The deeper the root is, the more powerful it is.” I don’t know if this is my mother’s persistence, or her nostalgia for the past, or her helplessness. But I can feel that she has never really given up this field. This land has carried too many of our stories. It has witnessed our growth and ups and downs, witnessed the death of my grandfather, and witnessed my mother’s countless days of working in the soil.

    However, fate makes us understand that no matter how we struggle and how we change, we will eventually return to the original place. This land is not only our reliance, it also carries the emotions and memories deep in our hearts, and carries the persistence for home and homeland. No matter how life changes, this land has long become a part of us that we cannot give up. It is not only a piece of soil for growth, but also an emotion buried deep in our hearts.

    In those years, we sowed many hopes on this land, but as time goes by, many hopes have become out of reach. The dreams we once had have long been shattered by reality. Now, standing on the ridge of the field, looking at the gradually desolate land, what surges in my heart is endless sadness and helplessness. Perhaps, we have missed the original dream and the pure hope that was once there.

    However, this land is still there. This land is a part of our life. Even if the years are ruthless and the dream is far away, we still stick to this land and stick to the memories and emotions we once had.

  • Glimpse the absurdity and tenacity of life in chaos and impermanence

    Ju Fufu, this name seems to be a symbol extracted from fantasy. Her life seems to be cut into pieces by countless clues, but is pieced together in pieces by some invisible force. Her skill system reflects a world full of absurdity and impermanence. A person living seems to be forever involved in an unpredictable vortex of fate.

    Ordinary attacks are a sigh after being hit by life countless times. There is no gorgeousness, no surprises, only mechanical repetitive movements, just like those ordinary people who struggle repeatedly in the streets and alleys. Dodge, is not a heroic light turn, but a helpless sideways dodge, avoiding the countless slaps thrown by life, avoiding the hidden arrows in family, friendship, and love.

    Special skills and joint skills are like the complex interest relationship between people, with vigilance in cooperation and suspicion hidden in intimacy. Ju Fufu uses her flame to ignite the hidden resentment and pain, and also burns the softness in her heart. Fire-attributed skills are anger, anxiety, and the last bit of stubbornness in this absurd world.

    Her core skills and support skills are not impeccable, but a kind of persistence in brokenness, a tenacious struggle in pain. She is not a savior, nor does she have an invincible halo. She is just an ordinary person living in an absurd reality, struggling to survive like you and me.

    Behind the fiery spinning picture is her inner confusion and helplessness. The jumping of the popcorn pot seems to be mocking her efforts and hopes, bursting and dispersing, turning into dust in the air with nowhere to go. She desperately used these skills to prove her existence, but found that she was just a dust floating in the wind in the world.

    Such a story has a strong sense of reality, but is also mixed with absurd dreams. It reminds us that life is an unpredictable maze, where difficulties and struggles, pain and laughter are intertwined into a performance that can never end. Everyone is an actor on the stage. No matter how glamorous the stage is, there are little-known struggles and tears off stage.

    The existence of Ju Fufu may be a satire on this real world and a profound revelation of the absurdity of life. She used her broken figure to piece together an incomplete but true picture, forcing us to face the essence of life – impermanence and injustice, but we still have to grit our teeth and live.

    In her, we see the most primitive desire for survival of human beings, and the tenacity of not giving up even in despair. She has no strong backing, no warm harbor, only a lonely flame swaying in the dark, struggling not to be extinguished.

    Her story is also a mirror, reflecting the fear and desire deep in each of our hearts. We are all like her, moving forward with pain, dancing on the edge of reality, and resisting the mockery of fate in our own way.

    Ju Fufu’s life is full of contradictions and pain, but it makes people unable to look away. Although her flame burns, it also illuminates the darkness. Although her struggle is difficult, it represents the truest power of life.

    This is a narrative about absurdity and tenacity, an elegy for living on the edge of chaos. She makes us understand that being alive is a kind of victory. Even if the world is absurd and fate is unfortunate, as long as there is fire in the heart, there is room for hope.

  • From airdrop to earth: two guns in fire and wind

    There is a gun that once hid in an airdrop box, like a seed that only sprouted in the center of the smoke; now, it has walked out of the clouds, stepped onto the earth, and joined the world. It is called AUG. It is no longer high above, no longer belongs only to the chosen ones, it comes to the starting point of every battle, like the morning light illuminating every mountain range, giving everyone the same possibility.

    And it met its opponent – the M4 that quietly guarded history, like a silent warrior in countless wars. The encounter between the two is like the collision of two wills – the new and the old, change and perseverance, lightning and fire.

    Their damage is the same, 41 points – not too much, not too little, just right. But on the battlefield, it is not only about calculation, but also about feeling. That feeling comes from the vibration of the shoulder during recoil, from the residual heat of the ten fingers holding the gun, and from the tension and relaxation of the muscles when running, dodging, and counterattacking.

    AUG is a stone carved by the wind. Its recoil is smaller – 20% vertically and 10% horizontally. Such numbers are like a poem with redundant words deleted, becoming condensed and pure. When firing continuously, it does not shake. It is like a tamed horse, running slowly and steadily in the sound of gunfire, planting bullets one by one in the enemy’s chest.

    And the M4 does not speak. It silently endures the years and the palms of tens of thousands of players. Its reloading speed is one second faster than the AUG. This second is a window to escape from the dead in the confrontation and a flame of rebirth from the Jedi. It represents experience, faith, and the calmness that can still stabilize the heartbeat in chaos.

    Which one is better, you ask?

    You have to listen to the wind – the wind says that the bullets of the AUG fly faster, 900 meters per second, like a signal from afar; the wind also says that the sound of the M4 is more familiar, like a local accent, echoing in the uninhabited canyon. You have to look at the fire – the fire prefers the swiftness of the M4 in close combat, and the sharpness of the AUG in long distance. You have to look at the person – see who holds it, see who is willing to bet all his fate for a second of speed, or a trace of stability.

    And this fate is the core of this update.

    Version 2.8 changed the order. Let the AUG, which was originally “a thing from heaven”, fall into everyone’s hands. It is still rare, like the shadow of a leopard hidden in the depths of the mountains and forests, but it is no longer a privilege, no longer a symbol of “you are not qualified to own it”.

    This change is not just a change in the gun, but a transformation of the battle logic, a process from looking up to looking directly. It is the voice of “I can do it too”, which rings in the chests of all players, like a river thawing in spring and rushing.

    And if you ask, besides performance, what else is worth noting?

    That is – in this era, even guns have to wear new clothes. It must not only be accurate and fast, but also dazzling. Skin has become a glory beyond strength. And this glory needs a kind of fire called UC to ignite. You can get it in a faster and more cost-effective way – just like in a familiar street, suddenly found a very hidden old shop, which hides all the equipment you dream of, that place is called Treabar.

    In the end, whether it is AUG or M4, they are the flames that have not been extinguished in this world, and the moment you hold them, they will light up the night of your destiny. You have to remember – it is not the guns that are fighting, but you are firing for hope.