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  • The spiritual dilemma behind modern entertainment consumption from the complicated list of materials for cultivating Xiakong in Mingchao

    Today, the game industry is in full swing, and electronic games have become a refuge for many young people to escape reality. However, by carefully examining the list of materials for cultivating Xiakong, a five-star resonator in a popular game “Mingchao”, we can get a glimpse of the layers of spiritual dilemmas behind the current entertainment consumption culture. The materials required for Xiakong to upgrade from level 0 to level 90 are like an intricate net, which tightly binds players in the mechanical cycle of “cultivation”, and the sense of accomplishment is overwhelmed by endless repeated brushing, material collection and consumption.

    The complexity of the materials is incredible. Low-frequency, medium-frequency, high-frequency and even full-frequency tide erosion sail cores, from quantity to level, are progressive, with gorgeous but tiring materials such as burning phosphorus bones, golden wool, and iris blooming day, which makes people almost forget that this is a game, not a labor list of some modern purgatory. The so-called “cultivation” has long changed from easy character growth to an endless struggle with time and energy. Every player seems to be in front of the assembly line of modern society, constantly repeating the mechanical actions of “defeating the sighing ancient dragon” and “brushing the crystallized phlogiston”. There is neither fun nor autonomy, just to satisfy the addictive numerical improvement.

    Such a design can’t help but make people think deeply. Is this the ingenuity of the game developers, or a deformed product of the contemporary entertainment consumption model? The game has become a kind of “modern hard labor”, which makes people addicted to it, but they can’t get real spiritual satisfaction. The consumption of coins and the accumulation of materials are just like the bottomless pit of constantly pursuing material and fame in real life, getting deeper and deeper. Players desperately save the so-called “golden fleece” in the virtual world, but they don’t know that they are also bound by countless virtual goals in reality and can’t extricate themselves.

    It is worth pondering that a dish of “stuffed meat tofu” is also designed in the game, which can temporarily improve the efficiency of material drop. Behind the short-term “acceleration” is a longer period of grinding and waiting. Just like the Chinese in Lu Xun’s writings, they are always eager for change, but they are trapped by the shackles of tradition and the burden of society, and they are always difficult to break free. Players rely on the short-term effect of stuffed meat tofu, just like people in reality rely on temporary placebos. In the face of helpless life pressure and time consumption, they get temporary pleasure, but they can’t really get rid of it.

    The material “Golden Fleece” in the game is even more intriguing. In legend, it represents a symbol of wealth and power, but here, it is restricted to a luxury item, and only fifteen can be purchased per week, just like the resources monopolized by capital and rules in reality, which ordinary people desire but cannot reach. The game designer reminds players that success is not easy to come by, and behind it is arduous investment and competition. In this process, players may fall into the endless pursuit of virtual “wealth” and ignore the real spiritual growth in real life.

    In addition, the classification of crystallized phlogiston – impurities, crude extraction, distillation, and high purity, reminds people of the obsession with “perfection” in modern society. Whether it is academic, professional, or life, everyone is kidnapped by the standards of “better”, “higher”, and “purer”, constantly exploiting their time and energy, but in the end they get spiritual fatigue and confusion. Isn’t the “cultivation” in the game a microcosm of the “self-improvement” process in reality? It’s just that this process has been frozen by the program and turned into mechanical and repetitive labor.

    If you think about it carefully, this huge list of materials is actually a reflection of the mental state of modern people. People pursue glory and achievements in the virtual world, but are trapped by tedious tasks and lose the ability to enjoy the process. As Lu Xun revealed the social ills, modern people’s entertainment is not really resting, but working in another sense; games are no longer a paradise for relaxation, but another form of “workplace”.

    Therefore, we can’t help but ask, what is the real meaning of the game? Is it to provide a short escape, or should it guide people to better understand themselves and release pressure? Behind the list of Xiakong’s cultivation materials in “Mingchao”, there is a contradiction in contemporary entertainment culture: it is both addictive and tiring; it satisfies vanity and exhausts enthusiasm. How players can maintain themselves and find real fun and meaning in this endless “cultivation” is a question worth pondering.

    In summary, the cultivation system of Xiakong in Mingchao seems to be meticulous and comprehensive, but it reflects the various drawbacks of the modern entertainment consumption model. The complicated materials and high-intensity repetitive labor are like a mirror, reflecting the anxious, confused and distressed mental state of modern people. Only by recognizing this can players and designers jointly explore a healthier and more meaningful game path. Otherwise, we are just small gears in this mechanical cycle, always running around, but unable to truly reach the other side of the soul.

  • The hidden struggle of humanity and the reflection of society behind Feng Jin’s growth

    On that Star Dome Railway, a character named Feng Jin is about to appear. Her growth process is not only a cold list of game materials, but also a mirror that reflects the complexity of human nature and the cruelty of society. The so-called “fear crushes flesh and blood” is just like the countless ordinary people who were trampled in the torrent of that era, bleeding, but no one cares. Fear is not an empty fantasy, but the ruthless oppression of individuals by the real society, and it is a double cage of spirit and body.

    This fear is suffocating, but it is inescapable. Just like the oppressed peasants and exploited workers of that era, their flesh and blood were trampled, their hearts were destroyed, and they lived under the shadow of fear all day long. However, it was in this fear that the courage to tear the chest was bred, a struggle in despair, and a rebellion after being forced. Feng Jin’s “courage to tear the chest” is the most real cry in the heart of the oppressed.

    “Glory baptizes the body”, this so-called glory, isn’t it a false festival? Behind those heroic images, there are countless unknown people’s blood and tears. Feng Jin’s glory did not fall from the sky, but was reluctantly labeled after countless hardships and struggles, which was the compromise and use of her by the society. Behind the glory is the cruelty of the system, the game of power, and the powerlessness of the individual.

    The “seeds of thinking”, “manas sprouts” and “alayahua” in the growth materials are not only the nouns set by the game, but also metaphors for people looking for seeds of hope in difficult situations. People keep thinking and sprouting in oppression and suffering, but are always ruthlessly strangled by reality. Feng Jin’s growth trajectory is a kind of adherence to spirit and ideals, and a persistent pursuit of the faint light of the future.

    “The legacy of the same wish” and “the footprints of fate” are more like those voices forgotten by history, those traces of life crushed by the times. They are silent, but heavy; they are subtle, but profound. Feng Jin’s journey along these footprints is not only a choice of personal destiny, but also an inevitable fate in the torrent of the times.

    Through Feng Jin’s growth materials, we see an individual who is overwhelmed by reality. Her struggle and pain are the epitome of the people who are deprived of their rights and marginalized. The so-called breakthrough material is not just a numerical improvement, but also a symbol of a person’s survival and dignity in the cracks of society.

    And her exclusive light cone “May the rainbow light stay in the sky forever”, that light that never fades, is people’s only belief in the darkness and the desire for freedom and liberation. However, reality is cruel. Although the light is bright, it is difficult to dispel the haze around.

    Feng Jin’s story is not just a list of materials in the game, but a metaphor for the current social reality. It makes people have to think: In this fast-paced era, how many people, like Feng Jin, endure invisible fear and pain? How many people are crying silently and struggling to survive behind the halo of glory?

    Her growth is the most profound questioning of human nature and the most silent accusation of social injustice. We should not just look at her surface data, but see the hidden joys and sorrows behind it, and the unsung heroes buried in the dust of the times.

    This Star Dome Railway may be a path to awakening and reflection. Feng Jin walks through it, and her every step is heavy and real, showing the struggle and tenacity of each living life in the face of reality. May we no longer ignore the light shining in the dark, because it is the last hope of humanity.

  • Cultural metaphors and life reflections behind the complicated collection of Xiakong’s character materials in the Mingchao game

    Xiakong, as a five-star resonator who came in Mingchao version 2.3, has a rich and complex development path, and the required materials are endless, like an intricate life epic. Counting the requirements for her growth, whether it is breakthrough materials, special weapon upgrades or activation of resonance circuits, they all present a heavy sense of cultural symbols and are also metaphors for the various aspects of life.

    First of all, we must mention the four types of tide erosion sail cores-low frequency, medium frequency, high frequency, and full frequency. They are like four movements in music, playing the melody of Xiakong’s growth. Low frequency is like the slowly rising and falling fluctuations of fate, medium frequency is the twists and turns and expectations in life, high frequency represents the momentary passion and enthusiasm, and full frequency is like the harmonious unity of life, elusive but crucial. Each frequency of the sail core requires players to repeatedly pursue it in the virtual world, which is no different from the persistence and pursuit of ideals in real life, which makes people feel tired and accomplished.

    The material of Burning Phosphorus Bone is particularly prominent. It comes from the gift of the Sighing Ancient Dragon. The name of the ancient dragon is full of mystery and majesty, like a past that is unwilling to be revealed. Players need to break its defense with countless failures and attempts before they can get this bone that symbolizes strength. The existence of Burning Phosphorus Bone can’t help but remind people of the thorns and tribulations in life. The so-called sigh is not only unwilling to accept fate, but also the helplessness and struggle in the depths of human nature.

    As for the Golden Fleece, the name itself triggers endless associations. In ancient Greek mythology, the Golden Fleece is the goal of heroes and the end of adventure. In the Mingchao game, it is not only the key material to improve Xia Kong’s ability, but also seems to symbolize the player’s inner pursuit of dreams and perfection. The ways to obtain the Golden Fleece are both limited and restricted. Players can choose to collect it in the Linaxi Tower or buy it in Laguna City with high shells, but the purchase restriction policy is like the scarcity of resources in real society, which adds to its preciousness and rarity. This scene seems to satirize the monopoly and competition for resources and opportunities in modern society.

    In terms of special weapon materials, the shackles are from simple to special, and the crystallized phlogiston is from impure to high purity, layer by layer. This is the way of refining the heart, just like the literature says forge ahead. This path is both scientific and artistic. Players seem to be refining a work of art that condenses their efforts. Every improvement represents the transformation and sublimation of the soul. The process of shaping a special weapon is no different from people’s pursuit of self-improvement in real life.

    Xiakong’s resonance circuit materials are particularly complex. Impurities, rough extraction, distillation, and high-purity crystallized phlogiston are progressive, just like the refining process in the philosophy of life. From the surface chaos to the final pure transparency, it is a portrayal of the growth of the soul. And the day when the iris blooms, like a fleeting beautiful moment in life, is even more precious because it can only be obtained through the weekly challenge of Wheel of Fate. The metaphor of irises is touching. Blooming and withering are the best portrayal of the impermanence of life.

    It is worth mentioning that the stuffed meat tofu props in the game can increase the material drop rate. Looking closely at its design, it seems like a trivial but extremely important little happiness in life. In the long and difficult process of collecting materials, this kind of help provides comfort and hope, so that players will not feel desperate on the lonely journey. This design concept undoubtedly draws on the psychological principles in reality small positive feedback is enough to maintain the persistence and motivation of individuals.

    Finally, the existence of the recharge platform Treabar, especially the 3% discount through the discount code Treabarblog3ge, exposes the capital logic behind the modern game industry. Players use real money to exchange for the pleasure of virtual growth. This behavior itself is not only a microcosm of modern entertainment consumption, but also a symbol of the increasingly blurred boundaries between reality and virtuality. The interweaving of capital and culture makes simple game behaviors complex and profound.

    In summary, Xiakong’s cultivation material system is far from the simple data accumulation on the surface, but carries many cultural symbols and life philosophies. In this process, players not only experience the pleasure of growth in the game world, but also reflect on the real life in a subtle way. The game Mingchao cleverly interweaves entertainment and culture, games and life through the character Xiakong, making people unable to help but ponder the metaphors and meanings behind it.

    In this way, Xiakong’s material journey is not only an exploration of the virtual world, but also a reflection of real life. I hope that every player can find their own answers and resonance on this complex road.